Miguel Ramalhete Gomes is a post-doctoral research fellow working on the theme of Shakespeare and presentism. He is a based at CETAPS, at Universidade do Porto, in Portugal. He is the author of Texts Waiting for History: William Shakespeare Re- Imagined by Heiner Müller (Rodopi, 2014); he has also edited Translation, the Canon and its Discontents: Version and Subversion (CSP, 2017) and coedited, with Márcia Lemos, Exchanges between Literature and Science from the 1800s to the 2000s: Converging Realms (CSP, 2017). He has presented papers in international conferences on the topics of early modern drama, especially Shakespeare, Irish studies, Utopian studies, and 20 th -century German drama. He is at present translating Shakespeare’s Henry VI, Part 3 into Portuguese.
Recent publications include:
Gomes, Miguel Ramalhete & Jorge Bastos da Silva, eds. English Literature and the Disciplines of Knowledge, Early Modern to Eighteenth Century: A Trade for Light. Amsterdam: Brill | Rodopi, 2017 (ISBN 9789004349353).
Gomes, Miguel Ramalhete, ed. Translation, the Canon and its Discontents: Version and Subversion. Newcastle upon Tyne: Cambridge Scholars Publishing, 2017 (ISBN 978-1-4438-9562-0).
Gomes, Miguel Ramalhete & Márcia Lemos, eds. Exchanges between Literature and Science from the 1800s to the 2000s: Converging Realms. Newcastle upon Tyne: Cambridge Scholars Publishing, 2017 (ISBN 978-1-4438-1273-3).
Gomes, Miguel Ramalhete. “‘The burgers that done the deed’: Hazardous food in Thomas Pynchon’s Inherent Vice”. Cadernos de Literatura Comparada: Utopia e Alimentação 36 (2017): 129-139.
Gomes, Miguel Ramalhete. “Learning by rote: Joyce and the external memory drive”, in A Time to Reason and Compare: International Modernism Revisited One Hundred Years After, ed. Jorge Bastos da Silva & Joana Matos Frias, 37-52. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016.
Gomes, Miguel Ramalhete. Texts Waiting for History: William Shakespeare Re-Imagined by Heiner Müller. Amsterdam, New York: Rodopi, 2014 (ISBN 9789042039032).
Gomes, Miguel Ramalhete. “Intended for the Stage: Performance Criticism in Richard Brome’s The Antipodes”. SEDERI: Yearbook of the Spanish and Portuguese Society for English Renaissance Studies 24 (2014): 157-169.
Gomes, Miguel Ramalhete. “‘Nothing ever ends’: Ending Dystopian History in Watchmen”, in Dystopia(n) Matters: On the Page, on Screen, on Stage, ed. Fátima Vieira, 270-279. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.
Gomes, Miguel Ramalhete. “Freezing the Tempest: Natural History in Shakespeare and Heiner Müller”. REAL – Yearbook of Research in English and American Literature, Vol. 29. Critical and Cultural Transformations: Shakespeare’s The Tempest – 1611 to the Present (2013), ed. Tobias Döring & Virginia Mason Vaughan: 115-130.
Gomes, Miguel Ramalhete. “‘IN THE FEARFUL ARMOUR’: Shakespeare, Heiner Müller and the Wall”, in Shakespeare and Conflict: A European Perspective, ed. Carla Dente & Sara Soncini, 145-156. Hampshire: Palgrave Macmillan, 2013.