Rui Carvalho Homem

Rui Carvalho Homem is Professor of English at the University of Oporto, Portugal. He is the author of two monographs – Shakespeare and the Drama of Alterity (in Portuguese; 2003); and Poetry and Translation in Northern Ireland: Dislocations in Contemporary Writing (2009) – and the editor of several collections, among which Translating Shakespeare for the Twenty-First Century (2004) and Relational Designs: Page and Stage, Canvas and Screen (2012). He has published extensively on contemporary Irish poetry, Early Modern English drama, Translation Studies, and intermediality. As a literary translator, he has published annotated versions of Shakespeare (Antony and Cleopatra, Love's Labour's Lost, Richard III) Christopher
Marlowe (Hero and Leander), Seamus Heaney and Philip Larkin. He is currently the Chair of ESRA, the European Shakespeare Research Association.

http://orcid.org/0000-0001-6303-5583
http://www.teemeurope.eu/staff/Porto/Carvalho_Homem.html
https://www.um.es/shakespeare/esra/who.php

 

Recent publications include:

Books:

Homem, Rui Carvalho. Poetry and Translation in Northern Ireland: Dislocations in Contemporary Writing. Houndmills: Palgrave Macmillan, 2009.

Homem, Rui Carvalho, ed. Relational Designs in Literature and the Arts: Page and Stage, Canvas and Screen. Amsterdam and New York, NY: Rodopi, 2012.

Articles and book chapters:

Homem, Rui Carvalho. “On Authorship and Intermediality in Seamus Heaney: ‘I can connect / Some bits and pieces.’” The Irish Review 49-50 (Winter-Spring 2014/2015): 151-64.

Homem, Rui Carvalho. “Othello Across Borders: On an Interlocal and Intermedial Exercise.” Shakespeare Survey 67 (2014): 327-34.

Homem, Rui Carvalho. “Philip Massinger: Drama, Reputation and the Dynamics of Social History.” The Cambridge Companion to Shakespeare and Contemporary Dramatists. Ton Hoenselaars, ed. Cambridge: Cambridge UP, 2012. 212-25. 

Homem, Rui Carvalho. “‘Private Relations’: Selves, Poems and Paintings – Durcan to Morrissey.” Oxford Handbook of Modern Irish Poetry. Fran Brearton and Alan Gillism, eds. Oxford: Oxford UP, 2012. 282-96.

Homem, Rui Carvalho. “Prospero’s Wake: Genre and Transit in the Afterlife of The Tempest.” Shakespeare Jahrbuch 148 (2012): 113-33.

Homem, Rui Carvalho. “Of Idiocy, Moroseness, and Vitriol: Soloists of Rage in Ben Jonson’s Satire.” Solo Performances: Staging the Early Modern Self in England. Ute Berns, ed. Amsterdam and New York, NY: Rodopi, 2010. 157-71.

Homem, Rui Carvalho. Home“Memory, Ideology, Translation:King Lear behind bars and before history.” Alternative Shakespeares 3. Linda Henderson, ed. London: Routledge, 2008. 204-20.

Homem, Rui Carvalho. “The Chore and the Passion: Shakespeare and Graduation in mid-Twentieth-Century Portugal.” The Shakespearean International Yearbook – 8: Special section, European Shakespeares. Ton Hoenselaars and Clara Calvo, special guest eds. Aldershot: Ashgate, 2008. 15-31.

 

Researchers

Collaborators